11 April 2026
21h30
CAPa
dance
this show is integrated in the Advanced Training Program in Performing Arts_Interpretation and Creation_Theatre & Dance “encontros do DeVIR” with the support of the Municipalities of Faro, Loulé and Lagos.
61 min
M/12
tickets
6€ public in general
5€ students
info and reservations
(+351) 289 828 784 | (+351) 968 478 217
devir-capa@devir-capa.com
don’t stop
solo on bach & glenn
Tereza Lenerová
Albert Quesada
Czech Republic
Spain
conceito e coreografia Tereza Lenerová
intérprete Tereza Lenerová
dramaturgia Lukáš Jiřička
música Floex, Antonio Vivaldi
desenho de luz Zuzana Režná
figurinos Marjetka Kürner Kalous
produção Veronika Hladká
produção Jakub Hradilek
co-produção Tanec Praha / PONEC – dance venue, Studio Truhlárna, Centre
national de la dance Pantin, Czech Centre Paris, Plum Yard
apoios Ministry of Culture of the Czech Republic, City of Prague, Foundation Život umělce
agradecimentos Jan Horák
duração 35 min
estreia 21 December, 2018 PONEC – dance venue, Prague
© Michal Hančovský
coreografia e interpretação Albert Quesada
música Trechos de uma gravação de Glenn Gould das Variações Goldberg de J.S. Bach,1955. Entrevista com Glenn Gould sobre sua última gravação das Variações Goldberg, em 1981.
produzido por Albert Quesada
agradecimentos a Marten Spangberg e Salva Sanchís
ano 2006/2008
duração 26 minutos
©Toni Bofill
“DON’T STOP”
“Calmly survey the hall.
Hold your breath.
Raise your hand.
Wait for silence and for everyone to settle down.
Set the tempo, seize attention, and hold it firmly in your grasp.
Now!”
In her new project Don’t Stop Tereza Lenerová tests the possibilities of expressing the ungraspable worlds of music, passion, sexuality… The starting point for this topic is the figure of the conductor, a person who seemingly holds the keys to the world of music. Lenerová reveals the desire to control music, she is interested in the moments when she has the situation under control, all the more so when music (passion) dominates and physical expression is at first glance in disharmony. She asks when and how we assume the role of conductor in our own lives, to what extent do we hold passion under control and when does passion have control over us. Who is the conductor within us?
SOLO ON BACH & GLENN
This solo is based on written instructions, intimately linked to the sound of the piano and the words of Glenn Gould. The pianist records the variations, makes mistakes, and tries again. Glenn Gould tell us about his way of playing and recording. The movement accompanies and simultaneously directs the music.